Oxygen och Aromasia, some early (1878!) Swedish science fiction of the year 2378.
"In our time, the Utopian novel has found a worthy successor in works like those of Mickey Spillane, with their almost erotic dreams of fulfilled sadism."
"There are, of course, writers who don't give a fig for logic, being content with presenting the idea all by itself. The grand example of this is Ray Bradbury, who is scared to death of anything remotely connected with science and obviously doesn't have the faintest inkling of elementary scientific facts. ...which literally drips with sentimentality..."
He spends some time correctly lambasting early-ish American-ish SF for its disinterest in women as anything other than the professor's beautiful daughter (at best). A Startling letter to the editor from a 1939 issue of Startling Stories is illustrative:
There Is a great deal of significance, I think, in the fact that the four stories of the September issue of Startling Stories did not contain a single female character. Of course. I would be the last to claim that ail females be abolished. Women, when handled in moderation and with extreme decency, fit nicely in scientifiction at times. However, the September Issue goes to prove that good stories can be written even with the total absence of the weaker sex.
There are some fans that claim "human Interest" a necessity in stf. since otherwise stories degenerate into uninteresting scientific or semi-scientific recitals. That Is a very correct stand, or would be if it were not that these one-track-minded fans know no other form of human interest than the love interest.
Well, let them read "Bridge to Earth" and tell me what it loses in not possessing a heroine. Where would the story have been improved In having a heroine get caught by the microscopic creatures and having the hero rescue her, getting her caught again, having the hero rescue her again, then the hero getting caught and the heroine rescuing him... [The author may want to think a bit more about the plot elements that go into an icky 'love interest' story]
"The monster craze soon faded away, leaving the BEM's where they belonged, as one useful tool of sf among others. Famous Monsters is still being published, larger and sicker than before, but this magazine as well as its imitators, is predominantly aimed at kids of eight to twelve years old. The letter column of Famous Monsters, with its photos of horribly dressed up boys, is pathetic and unpleasant."
In the file away for later file: "Nowadays, Barbarella is quite passé, and her place has been taken over by even more unbiased space women with constantly battle-ready bodies, e.g. the US sado-masochistic Phoebe Zeit-Geist [ETA: La Brea Tar Pits reference], the French Jodelle, and the Italian Satanik."
"The TV version of science fiction only seldom manages to reach beyond the crudest Space Opera, and it is significant that the most popular US TV series, Star Trek, which has created a fandom all its own, stubbornly held to the standards current in the pulp magazines of the thirties. ... One of the programs, The Menagerie, even won a Hugo Award, a constant source of wonder to me."
"There is also a marked rise in the use of obscenities in the "New Wave," which strikes me as completely unnecessary."
the fuck you talkin' bout? /Dude
"Germany, although with literary progenitors [like blah blah blah in the 19th century] has yet to produce one single sf writer of class."